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Jookin': The Rise of Social Dance Formations in African-American Culture By Katrina Hazzard-Gordon

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Sales Rank: #740765 in Books
Brand: Brand: Temple University Press
Published on: 1992-03-06
Original language: English
Number of items: 1
Dimensions: 8.22" h x .71" w x 5.51" l, .66 pounds
Binding: Paperback
248 pages

Features

Used Book in Good Condition

From Publishers Weekly
Whites have steadily borrowed from African-American dance. We glean just how rich the black dance tradition is from this vibrant, engaging social history, which hops from the decks of slave ships to honky-tonks, membership clubs and cabarets. Rutgers sociologist Hazzard-Gordon takes us inside Reconstruction-era jook houses where food, gambling, drink and fellowship were offered, and where dances like the shimmy, Charleston, snake hips, funky butt, twist and slow drag crystallized into cultural forms. She deciphers dance as a medium through which blacks have articulated group experience, whether in resisting slavery or in preserving a sense of identity in urban ghettos. Illustrated.
Copyright 1990 Reed Business Information, Inc.

Review
"We glean just how rich the black dance tradition is from this vibrant, engaging social history, which hops from the decks of slave ships to honky-tonks, membership clubs and cabarets.... [It] takes us inside Reconstruction-era jook houses where food, gambling, drink and fellowship were offered, and where dances...crystallized into cultural forms."
—Publishers Weekly

"An excellent study of black dance.... A well-done and readable account of how black Americans brought their dances with them from Africa, adapted them to the music of urban honky-tonks and jook joints, and created a unique art form."
—Jazztimes

"Here's a book I've longed forhistorically rich, empirically inspired and, above all, reverent to the funk and drive and moral spirit of the Grand Atlantic Black Dance Tradition."
Robert Farris Thompson

From the Publisher
The first analysis of the development of the jook and other dance arenas in African-American culture

Honorable Mention of the De La Torre Bueno Prize from the Dance Perspectives Foundations

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